CLIENT: Fresh Step
AGENCY: FCB
ROLE: ACD

 

Adopt-a-Stray" was a groundbreaking in-game adoption event that transformed the highly acclaimed game of the year, Stray, into a powerful catalyst for real-time cat adoptions on Twitch. Recognizing the heartbreaking reality that 40% of adult cats in shelters remain unadopted, we devised an innovative strategy to leverage the massive popularity of gaming and the existing affinity between gamers and feline companions. Research revealed that a remarkable 47% of gaming live-streamers were proud cat owners, with an additional 46% contemplating adoption.

This insight led us to the gaming realm as the perfect avenue for Fresh Step to extend its reach beyond the traditional litter box. In the immersive world of Stray, players embark on an extraordinary adventure through the eyes of a cat. However, until now, they could only assume the role of a ginger Tabby. Recognizing a unique opportunity, we conceived a visionary initiative to introduce adoptable cats into the game. Through a powerful collaboration with Best Friends Animal Society, we seamlessly integrated real, lovable cats awaiting adoption into Stray. Animal-loving streamers had the incredible opportunity to play as these endearing feline characters, captivating audiences worldwide through livestreamed adoption events on Twitch. This groundbreaking campaign aimed to raise widespread awareness about the plight of homeless pets while fostering deep connections between players and these often overlooked, but profoundly deserving, cats.

 

Case study


Making of

Supplemental video

 

 

Cannes Lions

​​​​​​​1 Bronze in Entertainment Cannes Lion for Gaming
3 Shortlists in Entertainment Lions For Gaming
2 Shortlists in Digital Craft
1 Shortlist in Brand Experience & Activation
1 Shortlist in Social & Influencer

 
 

New York Festivals

1 Gold in PURPOSE: PUBLIC SERVICE
1 Gold in COLLABORATIONS & PARTNERSHIPS: BEST USE
1 Silver in DESIGN: BRAND DESIGN
1 Silver in BRANDED CONTENT/ENTERTAINMENT: BEST USE
1 Shortlist in DIGITAL/MOBILE: BEST USE
1 Shortlist in BRANDED CONTENT/ENTERTAINMENT: PRODUCT & SERVICES


 

Creative

Danilo Boer
FCB Global Creative Partner

Andres Ordonez
Chief Creative Officer

Avital Pinchevsky
EVP, Executive Creative Director

Justin Enderstein
SVP, Executive Creative Director

Freddy Agostini
Associate Creative Director

Jake Roland
Associate Creative Director

Ricardo Vallejo
Associate Creative Director

Nick Farley
Senior Copywriter

Will Robertson
Copywriter

Louis Barry
Art Director

Max Dawson
Art Director

Anthony Quitos
Associate Art Director


Production

Stacy Sinason
Senior Producer

Juliana Mendonça
Senior Producer

Accounts

Kadi Jacobs
VP, Management Director

Ann Glennon
Account Director


Analytics

Anastasia Ivanova
Analytics Director


Social/Digital

Samantha Merkin
Senior Influencer Manager

 
 

CLIENT: Feeding America
AGENCY: leo burnett
ROLE: Senior ART DIRECTor

 

37 million Americans, including more than 11 million children don’t have enough to eat. For many people, hunger in America is invisible. They don’t know what it looks like or feels like. The truth is, hunger can be hard to recognize because it affects people from all walks of life in every community across the country – our neighbors, children’s classmates, even coworkers could be struggling to get enough to eat.


Using real stories, data from the USDA, and artificial intelligence, new PSAs from Feeding America and the Ad Council introduce a lifelike data-driven portrait of domestic hunger. By revealing these stories, the face of hunger challenges public perception of who struggles with hunger in the United States.


The Feeding America network of 200 local food banks is the largest domestic hunger-relief organization. Their mission is to feed America’s hungry through a nationwide network of member food banks and engage our country in the fight to end hunger. To learn more visit http://www.IamHungerinAmerica.org.

 

Case study


Film

 

The making of "I am Hunger in America"

Hunger looks more familiar than you think

• 40 million Americans struggle with hunger.

• Most of the people Feeding America serves come from households with at least one working adult.

• Children are more likely to face hunger than any other population in the U.S. More than 12 million children face hunger in America.

• 78% of the counties with the highest hunger rates are in rural America.

 

A lifelike representation of hunger

Created with AI from thousands of photos and demographic data of people struggling with hunger.

First, Feeding America worked with their network of food banks to gather thousands of photos of Americans struggling with hunger to help create my face. Then using 2018 USDA demographic data of Americans facing hunger, including gender, age and ethnicity, we matched real photos to those demographics to help shape my face.Finally, the 1,000 photos were used by Artificial Intelligence to construct an image that resulted in me, a lifelike portrait that represents what hunger looks like in America.


Print


RAdio


Website

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Creative

Britt Nolan
CCO

Jordan Doucette
CCO

Emma Montgomery
President + Chief Strategy Officer

Jeanie Caggiano
EVP Creative Director

Chris von Ende
SVP Creative Director

Mike Ward
SVP Creative Director

Javier Valle
Senior Copywriter

Daniel Jaramillo
Senior Art Director

Freddy Agostini
Senior Art Director

Efrain Bahena
Senior Strategist


Production

Veronica Puc
EVP Group Executive Producer

Rock Darlington
VP Executive Producer

Donna Varichak
VP, Director of Print Production

Elizabeth Ritten
Producer

Accounts

Dan Gilroy
Account Director

Tukiya Mwanza
Senior Account Executive


Project Management

Karen Guerra
Creative Resource Director


The Core

John Lowell
EVP Director Optimization

Tim Markham
Director, Optimization

 
 

CLIENT: MINISTRY of tourism of Mexico
AGENCY: LApiz leo burnett
ROLE: ART DIRECTION & Conceptual design

 

Winters in Germany are really rainy.So Rainy that 35% of all German travel happens during this time. To put sunny Mexico top of mind, we mixed the Mexican thing Germans love, Tequila, with the weather they don´t love, rain, to create the first:​​​​​​​

 

 
 
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Within four days of the Tequila Cloud launch, the average Google search volume for “Mexico Travel” increased by 50% in Germany. Within two weeks, the news spread around the globe, with people demanding the cloud, and even sharing on social media their desire to book their flights to Mexico. Paid media was $60K, which generated $4.8MM in earned media and 473MM impressions.

 
 
 

The science behind the Tequila Cloud

1. Vaporization
We used ultrasonic humidifiers to vibrate tequila at a frequency that turned it into a visible mist.
2. Condensation
The mist was then pushed up into a plastic structure, where it condensed.
3. Precipitation
The liquid then rained as drops.

The cloud was tied to real-time weather data, so it rained tequila every time it rained in Berlin.

 
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AWARDS

2017 Cannes Lions
Silver in Outdoor
Shortlist in PR

2017 Ojo de Iberoamérica
Sol de Plata in Innovation
Sol de Plata in Outdoor
Sol de Bronce in PR
Sol de Bronce in Media
Shortlist in Outdoor
Shortlist in Media
Shortlist in Digital

2017 Clios Awards
Shortlist in Out of Home: Ambient

2017 LIA
Bronze in Design: Experiential Design
Bronze in Non-Traditional: Experiential
Bronze in The NEW: Experiential

 

CLIENT: Allstate
AGENCY: LApiz leo burnett
ROLE: ART DIRECTION & Conceptual design

 

Challenge: Despite the laws and signs, 42.6% of drivers in the US, admit to texting while driving. Which makes that every 7.5 minutes, someone is hit by a car.

Idea: Turn an emoji into a unique road sign to put driver’s eyes back on the road.

 
 
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HOW

The pop-up effect was achieved through perspective that took into account the POV of the driver and the distance from the driver to the crosswalk. To simulate a realistic height, the length of the sticker ended up being 60 feet. 

 
 
 

Allstate, as an insurance company, also took into consideration the material, so that it would be safe for drivers:

skid free and resistant to rain and impact.

 
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CLIENT: chicago latino film festival
AGENCY: LApiz leo burnett
ROLE: ART DIRECTION & Conceptual design

 

We created “Danceable Trailers” — a new way to promote the Chicago Latino Film Festival in places our target was already tuning in: radios and dance clubs. 3 movie trailers were turned into reggaeton songs and used to promote the festival.

 

RESULTS: 

The festival had its most successful year ever:​​​​​​​

 
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Awards

Lux Awards 2018:
Shortlist in Ecuadorian talent for the world: Idea


LIA 2018:
Bronze in Radio & Audio: Original Music
Shortlist in Radio & Audio: Use of Music

 

CLIENT: Various
AGENCY: Leo burnett USA
ROLE: ART DIRECTION & Conceptual design

 

Compilation of cool ideas that died in the journey.

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Idea:
Let’s use every bite of food picky eaters take, to unlock megabytes that they can use to stream content.

How:
We’ll install haptic devices inside of flatware to track kids eating motions, and increase their internet allowances/speeds based on how much they eat. 

 

 

CLIENT: Various
AGENCY: koenig & partners
ROLE: ART DIRECTION & Conceptual design

 

Archive of old prints put in together.

Awards & Recognitions:

Houses:
Published in Lürzer's Archive Vol. 6/2015‏
Published in 200 Best Digital Artists Worldwide 2017/2018
Bronze in One Eyeland Photography Awards 2016
Bronze in One Eyeland Photography Awards 2016
Bronze in One Eyeland Photography Awards 2016

Pins:
SHORTLIST / EXTERIOR / EL SOL DE BILBAO 2015
SHORTLIST / Print / Condor 2015
SHORTLIST / Print Campaign / Condor 2015


 
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Audio Block
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“Music can also change the world”
Client: Radio Metro


 
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“Ideas that taste great”
Client: El Universo


 
 

“Your money arrives first”
Client: Western Union


 
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“Things break, your insurance doesn’t”
Client: AIG